By Ruth Cruickshank
suggests that the recurrent fictional and cultural trope of the turning aspect has either aesthetic and important power. Bringing jointly analyses spanning literature, concept, and tradition, she identifies and evaluations the ways that, at the eve of the twenty-first century, various theoretical and
fictional techniques confront the manipulation of problem discourses. Drawing on a 'long 20th century' of difficulty pondering, Cruickshank counters the conception postmodern version of perpetual hindrance is culturally dominant, and establ
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Fin de millénaire French Fiction: The Aesthetics of Crisis (Oxford Modern Languages and Literature Monographs) by Ruth Cruickshank